“Glorious. A story that will be found and enjoyed and dreamed about for years to come.”–Neil Gaiman

It all starts on the morning the letter D disappears from language. First, it vanishes from Dhikilo’s parents’ conversation at breakfast, then from the road signs outside and from her school dinners. Soon the local dentist and the neighbor’s dalmatian are missing, and even the Donkey Derby has been called off.

Though she doesn’t know why, Dhikilo is summoned to the home of her old history teacher Professor Dodderfield and his faithful Labrador, Nelly Robinson. And this is where our story begins.

Set between England and the wintry land of Liminus, a world enslaved by the monstrous Gamp and populated by fearsome, enchanting creatures, D (A Tale of Two Worlds) is told with simple beauty and warmth. Its celebration of moral courage and freethinking is a powerful reminder of our human capacity for strength, hope and justice.

These stories go deeper into the Victorian world and lives of the acclaimed international bestseller The Crimson Petal and the White.

Michel Faber’s tale of love and lust in the Victorian-era The Crimson Petal and the White was hailed as “a Dickensian novel for our times.” Now a major BBC TV drama, the saga of a prostitute named Sugar and the man who longs to possess her captured hearts and left readers desperate for more (The Guardian, UK).

In The Apple, Faber returns to Silver Street to find it still teeming with life, and conjures further tantalizing glimpses of Sugar, Clara, William, Mr. Bodley, and many other favorites. For both fans of the novel and newcomers to this rich and historically vivid world, The Apple confirms that “Michel Faber is a master of the short-story form” (Times Literary Supplement, UK).

A monumental, genre-defying novel that David Mitchell calls “Michel Faber’s second masterpiece,” The Book of Strange New Things is a masterwork from a writer in full command of his many talents.

It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC.   His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter’s teachings—his Bible is their “book of strange new things.” But Peter is rattled when Bea’s letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling.  Bea’s faith, once the guiding light of their lives, begins to falter.  

Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable.  While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival.  Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us.

Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.

Hailed as “original and unsettling, an Animal Farm for the new century” (Wall Street Journal), this debut novel lingers long after the last page has been turned.

A “fascinating psychological thriller” (Baltimore Sun), this entrancing novel introduces Isserley, a female driver who scouts the Scottish highlands for male hitchhikers with big muscles. She herself is tiny–like a kid peering up over the steering wheel. Scarred and awkward, yet strangely erotic and threatening, Isserley listens to her passengers as they open up to her, revealing clues about who might miss them should they disappear–and then she strikes. What happens to her victims next is only part of a terrifying reality.

At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory: our own moral instincts and the boundaries of compassion. A grotesque and comical allegory and a surreal representation of contemporary society run amok, Under the Skin was internationally received as the arrival of an exciting talent, rich and assured.