Suffused with Russell Banks’s trademark lyricism and reckless humor, the twelve stories in A Permanent Member of the Family examine the myriad ways we try–and sometimes fail–to connect with one another, as we seek a home in the world.

In the title story, a father looks back on the legend of the cherished family dog whose divided loyalties mirrored the fragmenting of his marriage. “A Former Marine” asks, to chilling effect, if one can ever stop being a parent. And in the haunting, evocative “Veronica,” a mysterious woman searching for her daughter may not be who she claims she is.

Moving between the stark beauty of winter in upstate New York and the seductive heat of Florida, Banks’s acute and penetrating collection demonstrates the range and virtuosity of both his narrative prowess and his startlingly panoramic vision of modern American life.

“Banks has taken on a profound theme, the ruinous and awful affliction of violence that seems to live like a secret blood-disease handed down in men like Wade. . . . He turns it into a living art that can bring recognition and awe.” — Los Angeles Book Review

“A masterwork of contemporary American fiction” (Chicago Tribune) from one of the most acclaimed and important writers of our time

Wade Whitehouse is an improbable protagonist for a tragedy. A well-digger and policeman in a bleak New Hampshire town, he is a former high-school star gone to beer fat, a loner with a mean streak. It is a mark of Russell Banks’s artistry and understanding that Wade comes to loom in one’s mind as a blue-collar American Everyman afflicted by the dark secret of the macho tradition. Told by his articulate, equally scarred younger brother, Wade’s story becomes as spellbinding and inexorable as a fuse burning its way to the dynamite.

“Deeply affecting. . . . Like the best novels of Nadine Gordimer, it makes us appreciate the dynamic between the personal and the political, the public and the private, and the costs and causes of radical belief.” — New York Times

A triumph of the imagination and a masterpiece of modern storytelling, Cloudsplitter is narrated by the enigmatic Owen Brown, last surviving son of America’s most famous and still controversial political terrorist and martyr, John Brown.

Deeply researched, brilliantly plotted, and peopled with a cast of unforgettable characters both historical and wholly invented, Cloudsplitter is dazzling in its re-creation of the political and social landscape of our history during the years before the Civil War, when slavery was tearing the country apart. But within this broader scope, Russell Banks has given us a riveting, suspenseful, heartbreaking narrative filled with intimate scenes of domestic life, of violence and action in battle, of romance and familial life and death that make the reader feel in astonishing ways what it is like to be alive in that time.

“The most convincing portrait I know of contemporary America . . . a great American novel.”– James Atlas, The Atlantic Monthly

From acclaimed author Russell Banks, a masterful novel of hope lost and gained—a gripping, indelible story of fragile lives uprooted and transformed by injustice, disappointment, and the seductions and realities of the American dream.

Banks’s searing tale of uprootedness, migration, and exploitation in contemporary America brings together two of the dominant realms of his fiction–New England and the Caribbean–skillfully braided into one taut narrative. Continental Drift is the story of a young blue-collar worker and family man who abandons his broken dreams in New Hampshire and the story of a young Haitian woman who, with her nephew and baby, flees the brutal injustice and poverty of her homeland.

Continental Drift is a powerful literary classic from one of contemporary fiction‘s most important writers.

In Family Life, Russell Banks’s first novel, he transforms the dramas of domesticity into the story of a royal family in a mythical contemporary kingdom. Life inside this kingdom includes the king (dubbed “the Hearty” or “the Bluff”), who squeals angrily as is his wont; the queen, who, while pondering the mirror in her chambers, decides to write a book; three adolescent princes who are, respectively, a superb wrestler, a fanatical sports car driver, and a sullen drunk. Then there are the mysterious Green Man with a thing for princes; the Loon, who lives in a tree house designed by Christopher Wren; and a whole slew of murders, mayhem, coups, debauches, world tours, and love and loss and laughter.

A searing novel about memory, abandonment, and betrayal from the acclaimed and bestselling Russell Banks

“During a career stretching almost half a century, Russell Banks has published an extraordinary collection of brave, morally imperative novels. . . . In this complex and powerful novel, we come face to face with the excruciating allure of redemption.”

At the center of Foregone is famed Canadian American leftist documentary filmmaker Leonard Fife, one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late seventies, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life. The interview is filmed by his acolyte and ex-star student, Malcolm MacLeod, in the presence of Fife’s wife and alongside Malcolm’s producer, cinematographer, and sound technician, all of whom have long admired Fife but who must now absorb the meaning of his astonishing, dark confession.

Imaginatively structured around Fife’s secret memories and alternating between the experiences of the characters who are filming his confession, the novel challenges our assumptions and understanding about a significant lost chapter in American history and the nature of memory itself. Russell Banks gives us a daring and resonant work about the scope of one man’s mysterious life, revealed through the fragments of his recovered past.

Hamilton Stark is a New Hampshire pipe fitter and the sole inhabitant of the house from which he evicted his own mother. He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark’s story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

“Like our living literary giants Toni Morrison and Thomas Pynchon, Russell Banks is a great writer wrestling with the hidden secrets and explosive realities of this country.”
–Cornel West

“Of the many writers working in the great tradition today, one of the best is Russell Banks.”
—New York Times

Lost Memory of Skin is a provocative novel of spiritual and moral redemption from Russell Banks, the author of Affliction, Rule of the Bone, Continental Drift, Cloudsplitter, and other acclaimed masterworks of contemporary American fiction. Uncompromising and complex, Lost Memory of Skin is the story of The Kid, a young sex offender recently released from prison and forced to live beneath a South Florida causeway. When The Professor, a man of enormous intellect and appetite, takes The Kid under his wing, his own startling past will cause upheavals in both of their worlds. At once lyrical, witty, and disturbing, Banks’s extraordinary novel showcases his abilities as a world-class storyteller as well as his incisive understanding of the dangerous contradictions and hypocrisies of modern American society.

In the tradition Huckleberry Finn and The Catcher in the Rye, Russell Banks’s quintessential novel of a disaffected homeless youth living on the edge of society “redefines the young modern anti-hero. . . . Rule of the Bone has its own culture and language, and Bone is sure to become a beloved character for generations” (San Francisco Chronicle).

When we first meet him, Chappie is a punked-out teenager living with his mother and abusive stepfather in an upstate New York trailer park. During this time, he slips into drugs and petty crime. Rejected by his parents, out of school and in trouble with the police, he claims for himself a new identity as a permanent outsider; he gets a crossed-bones tattoo on his arm, and takes the name “Bone.”

He finds dangerous refuge with a group of biker-thieves, and then hides in the boarded-up summer house of a professor and his wife. He finally settles in an abandoned school bus with Rose, a child he rescues from a fast-talking pedophile. There Bone meets I-Man, an exiled Rastafarian, and together they begin a second adventure that takes the reader from Middle America to the ganja-growing mountains of Jamaica. It is an amazing journey of self-discovery through a world of magic, violence, betrayal and redemption.

With a compelling, off-beat protagonist evocative of Holden Caulfield and Quentin Coldwater, and a narrative voice that masterfully and naturally captures the nuances of a modern vernacular, Banks’s haunting and powerful novel is an indisputable–and unforgettable–modern classic.

“At his shattering best. . . Banks offers answers that are tough, honest, and inevitable without being simple. . . . A book that is not to be missed.” —New York Times

With The Angel on the Roof, acclaimed author Russell Banks offers readers an astonishing collection of thirty years of his short fiction, revised especially for this volume and highlighted by the inclusion of nine new stories that are among the finest he has ever written.

As is characteristic of all of Bank’s works, these stories resonate with irony and compassion, honesty and insight, extending into the vast territory of the heart and the world, from working-class New England to Florida and the Caribbean and Africa. Broad in scope and rich in imagination, The Angel on the Roof affirms Russell Banks’s place as one of the masters of American storytelling.

“A truly excellent novel. . . . The morbidly fascinating little twists of human existence are all here: love, sex, life and death, beauty and horror–the works.” — Chicago Sun-Times

In The Book of Jamaica, Russell Banks explores the complexities of political life in the Caribbean and its ever-present racial conflicts.

His narrator, a thirty-five-year-old college professor from New Hampshire, goes to Jamaica to write a novel and soon becomes embroiled in the struggles between whites and Blacks. He is especially interested in an ancient tribe called the Maroons, descendants of the Ashanti, who had been enslaved by the Spanish and then fought the British in a hundred-year war. Despite this history of oppression, the Maroons have managed to maintain a relatively autonomous existence in Jamaica. Partly out of guilt and an intellectual sense of social responsibility, Banks’s narrator gets involved in reuniting two clans who have been feuding for generations. Unfortunately, his attempt ends in disaster, and the narrator must deal with his feelings of alienation, isolation, and failure.

The Darling is Hannah Musgrave’s story, told emotionally and convincingly years later by Hannah herself. A political radical and member of the Weather Underground, Hannah has fled America to West Africa, where she and her Liberian husband become friends and colleagues of Charles Taylor, the notorious warlord and now ex-president of Liberia. When Taylor leaves for the United States in an effort to escape embezzlement charges, he’s immediately placed in prison. Hannah’s encounter with Taylor in America ultimately triggers a series of events whose momentum catches Hannah’s family in its grip and forces her to make a heartrending choice.

Set in Liberia and the United States from 1975 through 1991, The Darling is a political/historical thriller — reminiscent of Graham Greene and Joseph Conrad — that explodes the genre, raising serious philosophical questions about terrorism, political violence, and the clash of races and cultures.

Performed by Mary Beth Hurt

From one of America’s most beloved storytellers: a dazzling tapestry of love and faith, memory and imagination that questions what it means to look back and accept one’s place in history. In 1971, Harley Mann revisits his childhood, recounting his family’s move to Florida’s swamplands—mere miles away from what would become Disney World—to join a community of Shakers.

“Eerily timely. Can what’s gone wrong in the past offer keys to the future? The Magic Kingdom confronts our longings for Paradise; also the inner serpents that are to be found in all such enchanted gardens.” —Margaret Atwood, author of The Testaments, via Twitter

Property speculator Harley Mann begins recording his life story onto a reel-to-reel machine, reflecting on his youth in the early twentieth century. He recounts that after his father’s sudden death, his family migrated down to Florida to join a Shaker colony. Led by Elder John, a generous man with a mysterious past, the colony devoted itself to labor, faith, and charity, rejecting all temptations that lay beyond the property. Though this way of life initially saved Harley and his family from complete ruin, when Harley began falling in love with Sadie Pratt, a consumptive patient living on the grounds, his loyalty to the Shakers and their conservative worldview grew strained and, ultimately, broke.

As Harley dictates his story across more than half a century—meditating on youth, Florida’s everchanging landscape, and the search for an American utopia—the truth about Sadie, Elder John, and the Shakers comes to light, clarifying the past and present alike. With an expert eye and stunning vision, Russell Banks delivers a wholly captivating portrait of a man navigating Americana and the passage of time.

“Banks has skillfully used his repertoire of contemporary techniques to write a novel that is classically American—a dark, but sometimes funny, romance with echoes of Poe and Melville.” — Washington Post

“A marvelously written little book, fascinatingly intricate, yet deceptively simple. Well worth reading more than once.” — New York Times Book Review

From acclaimed author Russell Banks comes a work of fiction utilizing a form invented in the seventeenth century by imprisoned Puritan divines

Designed to be exemplary, works of this type were aimed at brethren outside the prison walls and functioned primarily as figurative dramatizations of the tests of faith all true believers must endure. These “relations,” framed by scripture and by a sermon explicating the text, were usually read aloud in weekly or monthly installments during religious services. Utterly sincere and detailed recountings of suffering, they were nonetheless highly artificial. To use the form self-consciously, as Banks has done, is not to parody it so much as to argue good-humoredly with the mind it embodies, to explore and, if possible, to map the limits of that mind, the more intelligently to love it.

Part love story, part murder mystery, set on the cusp of the Second World War, Russell Banks’ sharp-witted and deeply engaging new novel raises dangerous questions about class, politics, art, love, and madness-and explores what happens when two powerful personalities begin to break the rules.

29-year-old Vanessa Cole is a wild, stunningly beautiful heiress, scandalously linked to any number of rich and famous men. But at her parents’ country home in a remote Adirondack Mountain enclave known as The Reserve, two events coincide to permanently alter the course of Vanessa’s callow life: her father dies suddenly of a heart attack, and a mysteriously seductive local artist, Jordan Groves, lands his biplane in the forbidden Upper Lake…

Internationally known as much for his exploits and conquests as for his paintings themselves, Jordan’s leftist loyalties seem suspiciously undercut by his wealth and upper-crust clientele. But for all his worldly swagger, Jordon is as staggered by Vanessa’s beauty and charm as she is by his defiant independence. He falls easy prey to her electrifying personality, but it is not long before he discovers that the heiress carries a dark, deeply scarring family secret. Emotionally unstable from the start, and further unhinged by her father’s unexpected death, Vanessa begins to spin wildly out of control, manipulating and destroying the lives of all who cross her path. The Reserve is a clever, incisive, and passionately romantic novel of suspense that adds a new dimension to this acclaimed author’s extraordinary repertoire.

“Rich in imagery and the detail of small-town life and haunting in its portrayal of ordinary men and women struggling to understand loss. Under Mr. Banks’s restrained craftsmanship, what begins as the story of senseless tragedy is transformed into an aspiring testament to hope and human resilience.” — Atlanta Constitution

In The Sweet Hereafter, Russell Banks tells a story that begins with a school bus accident. Using four different narrators, Banks creates a small-town morality play that addresses one of life’s most agonizing questions: when the worst thing happens, who do you blame?

Here is a stunning novel of “compelling moral suspense” (Los Angeles Times Book Review) from one of America’s greatest storytellers.

“Each story is uncommonly good. . . surprising, lively writing and believably human characters. . . . Banks has a terrific eye, mordant yet affectionate, for the bric-a-brac and the pathos of the American dream.” — Washington Post Book World

In this series of related short stories, acclaimed author Russell Banks offers gripping, realistic portrayals of individual Americans and paints a portrait of New England life that is at once dark, witty, and revealing.

Get to know the colorful cast of characters at the Granite State Trailerpark, where Flora in number 11 keeps more than a hundred guinea pigs and screams at people to stay away from her babies, Claudel in number 5 thinks he is lucky until his wife burns down their trailer and runs off with Howie Leeke, and Noni in number 7 has telephone conversations with Jesus and tells the police about them.

The acclaimed, award-winning novelist takes us on some of his most memorable journeys in this revelatory collection of travel essays that spans the globe, from the Caribbean to Scotland to the Himalayas.

Now in his mid-seventies, Russell Banks has indulged his wanderlust for more than half a century. “Since childhood, I’ve longed for escape, for rejuvenation, for wealth untold, for erotic and narcotic and sybaritic fresh starts, for high romance, mystery, and intrigue,” he writes in this compelling anthology. The longing for escape has taken him from the “bright green islands and turquoise seas” of the Caribbean islands to peaks in the Himalayas, the Andes, and beyond.

In Voyager, Russell Banks, a lifelong explorer, shares highlights from his travels: interviewing Fidel Castro in Cuba; motoring to a hippie reunion with college friends in Chapel Hill, North Carolina; eloping to Edinburgh, with his fourth wife, Chase; driving a sunset orange metallic Hummer down Alaska’s Seward Highway.

In each of these remarkable essays, Banks considers his life and the world. In Everglades National Park this “perfect place to time-travel,” he traces his own timeline. “I keep going back, and with increasingly clarity I see more of the place and more of my past selves. And more of the past of the planet as well.” Recalling his trips to the Caribbean in the title essay, “Voyager,” Banks dissects his relationships with the four women who would become his wives. In the Himalayas, he embarks on a different quest of self-discovery. “One climbs a mountain not to conquer it, but to be lifted like this away from the earth up into the sky,” he explains.

Pensive, frank, beautiful, and engaging, Voyager brings together the social, the personal, and the historical, opening a path into the heart and soul of this revered writer.