On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director of the Bolshoi Ballet, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. The scandal, though shocking, is not an anomaly in the turbulent and tormented yet magnificent history of the Bolshoi. Renowned music historian Simon Morrison reveals the ballet as a crucible of art and politics, beginning with the disreputable inception of the theater in 1776 and proceeding through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the recent $680 million renovation project. Drawing on exclusive archival research, Morrison creates a richly detailed tableau of the centuries-long war between world-class art and life-threatening politics that has defined this storied institution. As Morrison makes clear, as Russia goes, so goes the Bolshoi Ballet.

A stunning musical biography of Stevie Nicks that paints a portrait of an artist, not a caricature of a superstar.
Reflective and expansive, Mirror in the Sky situates Stevie Nicks as one of the finest songwriters of the twentieth century.
This biography from distinguished music historian Simon Morrison examines Nicks as a singer and songwriter before and beyond her career with Fleetwood Mac, from the Arizona landscape of her childhood to the strobe-lit Night of 1000 Stevies celebrations.
The book uniquely:
– Analyzes Nicks’s craft-the grain of her voice, the poetry of her lyrics, the melodic and harmonic syntax of her songs.
– Identifies the American folk and country influences on her musical imagination that place her within a distinctly American tradition of women songwriters.
– Draws from oral histories and surprising archival discoveries to connect Nicks’s story to those of California’s above- and underground music industries, innovations in recording technology, and gendered restrictions.