Joachim Neugroschel’s brilliant new translation lets you enjoy the work of Nobel-Laureate Thomas Mann as never before. By using creative, contemporary language, Neugroschel reinterprets Mann for modern English-speaking readers. The author’s superb literary craftsmanship, his psychological insight, and the deeply erotic content of his work shine forth in this definitive English-language version of some of his most celebrated short works. This collection features the world masterpiece Death in Venice, with its controversial passages now restored. You will find fresh relevance in the story of an aging writer’s uncontrollable and humiliating passion, and the other poignant tales included here. These works subtly explore the great themes of Mann’s fiction-his mythic fascination with sexual inhibition and artistic creativity. This translation, with its recreation of the intricate rhythms of the author’s language, virtually sings in an audio format. Paul Hecht’s lyrical narration makes the music and meaning of Mann’s writing more accessible than ever to modern ears.

In this essay originally aired in the 1950s, novelist and essayist Thomas Mann expresses appreciation that time gives humanity a sense of life’s value in “Life Grows in the Soil of Time”, his contribution to NPR’s This I Believe series.

This I Believe is a National Public Radio program that features Americans, from the famous to the unknown, completing the thought that begins with the series title. The pieces that make up the program compel listeners to re-think not only what and how they have arrived at their own personal beliefs, but also the extent to which they share them with others.

Featuring a star-studded list of contributors that includes John McCain, Isabel Allende, and Colin Powell, as well as pieces from the original 1950’s series including Helen Keller and Jackie Robinson, the This I Believe collection also contains essays by a Brooklyn lawyer, a woman who sells yellow pages advertising in Fort Worth, and a man who serves on the state of Rhode Island’s parole board. The result is a stirring, funny and always provocative trip inside the minds and hearts of a diverse group of Americans whose beliefs, and the incredibly varied ways in which they choose to express them, reveal the American spirit at its best.

This short audio essay is an excerpt from the audiobook edition of the This I Believe anthology.

A classic, controversial book exploring German culture and identity by the author of Death in Venice and The Magic Mountain, now back in print.
When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation. Thomas took it as an unforgivable stab in the back.
The bitter dispute between the brothers would swell into the strange, tortured, brilliant, sometimes perverse literary performance that is Reflections of a Nonpolitical Man, a book that Mann worked on and added to throughout the war and that bears an intimate relation to his postwar masterpiece The Magic Mountain. Wild and ungainly though Mann’s reflections can be, they nonetheless constitute, as Mark Lilla demonstrates in a new introduction, a key meditation on the freedom of the artist and the distance between literature and politics.

For his Royal Highness Klaus Heinrich, prince of a small German duchy, life means servitude to traditional ducal functions–until he meets the independent-spirited and liberal-minded American Miss Spoelmann. During the course of his unorthodox and quixotically tender wooing, Heinrich is forced to reach into unknown depths of his personality and discover the real meaning of the word “duty.”

Peopled with a range of characters from aristocrat to artisan, Royal Highness provides a microcosmic view of Europe before the Great War. Mann’s charming fable of a decaying, stratified society rejuvenated by modern forces illustrates what he regarded as a universal truth: that ripeness and death are necessary conditions for rebirth.