Myth, music, and magic–and dreams underfoot

Welcome to Newford–to the music clubs, the waterfront, and the alleyways where ancient myths and magic spill into the modern world. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the grey harbor waters and fill the cold night with their song. Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street, gathering the fey and the wild and the poor and the lost.

Like Mark Helprin’s A Winter’s Tale and John Crowley’s Little, Big,Dreams Underfoot, a collection of nineteen stories, is a must-read book, not only for fans of urban fantasy but for all who seek magic in everyday life.

In Jack the Giant-Killer, where magical creatures carry on a secret existence in the streets and parks of modern Ottawa, Jacky Rowan once slew giants. In this thrilling sequel, she is tricked and then enslaved by a master of vicious, Unseelie creatures.

This cruel thief is bent on stealing his very sustenance–not only from Jacky–but from all of the Seelie faerie court. Only the Moon herself and a handsome young fiddler, unaware of Faerie and the power of his music, have the magic to set Jacky free.

In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed … only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes.

Now generations have passed and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves–appearing to those with the sight to see them, as hard and dangerous men, invariably dressed in black.

Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outsider her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them–until the night one follows her to the woods, and takes her hand …

Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she too sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King–another thing Ellie does not believe in. Yet lack of belief won’t dim the power of the mask, or its dreadful intent.

Donal, Ellie’s former lover, comes from an Irish family and knows the truth at the heart of the old myths. He thinks he can use the mask and the “hard men” for his own purposes. And Donal’s sister, Miki, a punk accordion player, stands on the other side of the Gentry’s battle with the Native spirits of the land. She knows that more than her brother’s soul is at stake. All of Newford is threatened, human and mythic beings alike.

Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets.

A faceless gang of bikers on Wild Hunt through the streets of present-day Ottawa hurtles young Jacky Rowan across the threshold into the perilous land of Faerie. There, to her dismay, she is hailed as the Jack of Kinrowan, a once-and-future trickster hero whose lot is to save the Elven Courts from unimaginable evil.

Juniper Wiles once starred as a plucky teen detective in the popular TV show, Nora Constantine. When the series ended seven years ago, Juniper made a decision to leave L.A. and return home to Newford where she joined friends at the artists’ collective, Bramleyhaugh, the center of which is her pal, beloved faerie artist Jilly Coppercorn.

Now, out of the blue, the fictional world of Nora Constantine is bleeding into Newford, starting with the inexplicable murder of a young man. Juniper may have wanted to leave her role as a detective behind, but when she’s accosted by the ghost of that young man everything changes. To solve this crime will require all the skills she learned training for Nora Constantine. And the effervescent Jilly, always up for a new adventure, is ready to come along for the ride.

Isabelle Copley, as the young student of the cruel, brilliant artist Vincent Rushkin, discovered that she could paint images so vividly real that they brought her wildest fantasies to life, freeing ancient spirits. But when the forces she unleashed brought tragedy to those she loved, she turned her back on her talent and her dreams.

Now, twenty years later, Isabelle must come to terms with the shattering memories she has long denied and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.

This is a tale of love, courage, and the transforming power of imagination.

When Sara and Jamie discovered the artifacts, they sensed the pull of a dim, distant place, a world of misty forests, ancient magics, mythical beings, ageless bards … and restless evil.

Now, with their friends and enemies alike–Blue, the biker; Keiran, the folk musician; the Inspector from the RCMP; and the mysterious Tom Hengyr–Sara and Jamie are drawn into this enchanted land through the portals of a sprawling downtown edifice that straddles two worlds.

From ancient Wales to the streets of present-day Ottawa, Moonheart entrances listeners with its tale of this world and the one at the very edge of sight. A tale of music, motorcycles, and fey folk beyond the shadows of the moon, Moonheart is pure magic.

Lily is a photojournalist in search of the “animal people” who supposedly haunt the city’s darkest slums. Hank is a slumdweller who knows the bad streets all too well. One night, in a brutal incident, their two lives collide–uptown Lily and downtown Hank, each with a quest and a role to play in the secret drama of the city’s oldest inhabitants.

For the animal people walk among us. Native Americans call them the First People, but they have never left, and they claim the city for their own.

Not only have Hank and Lily stumbled onto a secret, they’ve stumbled into a war. And in this battle for the city’s soul, nothing is quite as it appears.

At the heart of Tamson House is the Wood. And in that Wood is the Mystery.

Tamson House, in modern, urban Ottawa, is a rambling, eccentric curiosity of a house–and a place of hidden Power. Built at a point where the leylines meet, upon land that was once a sacred site, it is the gateway to a spirit world where Celtic and Native American magicks mingle and leak into our own.

In the overgrown garden of Tamson House, a Coyote Man waits, green children walk, and music rises to greet the moon. From the garden, a vast and primal wood is just one spirit-step away … and in that wood is something that threatens the very existence of Tamson House, and all who dwell within.

Charles de Lint returns to the spirit-world of his bestselling Moonheart in a splendid work of urban fantasy, bringing myth, music, and magic into our modern world.

When folk musician Janey Little finds a mysterious manuscript in an old trunk in her grandfather’s cottage, she is swept into a dangerous realm both strange and familiar. But true magic lurks within the pages of The Little Country, drawing genuine danger from across the oceans into Janey’s life, impelling her–armed only with her music–toward a terrifying confrontation.

Come walk the mist-draped hills of Cornwall, come walk the ancient standing stones. Listen to the fiddles, and the wind, and the sea. Come step with Janey Little into the pages of … The Little Country.

On the Day of the Dead, at the Solona Music Hall, Altagracia Quintero meets John Burns—just two weeks too late.

Grace, as her friends call her, has a Ford Motor Company tattoo running down her leg and grease worked deep into her hands. She works at Sanchez Motorworks customizing hot rods. Finding the line in a classic car is her calling. Now Grace has to find the line in her own life. Grace loves John, and John loves her, and that would be wonderful, except that John, like Grace, has unfinished business: he’s haunted by the childhood death of his younger brother. He’s never stopped feeling responsible. Before their relationship can find its resolution, the two of them will have to teach each other about life and love, about hot rods and Elvis Presley, and about why it’s necessary to let some things go.

In his stunning novels of magic and danger in the modern world, Charles de Lint has brought an entire imaginary North American city to vivid life: Newford, where magic lights the dark streets, myths walk clothed in modern shapes, and a broad cast of extraordinary people work to keep the whole world turning. At the center of it all stands a young artist named Jilly Coppercorn, with her tangled hair and paint-splattered jeans, whose paintings capture the hidden beings that dwell in the city’s shadows.

Now, at last, de Lint tells Jilly’s own story; for behind the painter’s fey charm lies a dark secret that she’s labored to forget. “I’m the onion girl,” Jilly Coppercorn says. “Pull back the layers of my life, and you won’t find anything at the core. Just a broken child. A hollow girl. She’s very, very good at running–but the past has come to claim her now.”

Eithnie is a young painter who is acclaimed by the art world, until the critics start noticing that her work has lost the animating passion that had set her apart from the crowd. She returns to her cabin in Canada’s remote woods, hoping to find a place where she can seek solitude and focus on her art.

At first, Eithnie’s muse remains elusive, but then beautiful and disturbing creatures start slipping into her sketches unbidden. The following days bring strange visitors bearing cryptic messages indicating that Eithnie may be bound by a promise made in a forgotten, magical childhood. The world of Faerie is clearly reaching out to her for help, and her ability to figure out what they need may mark the difference between their survival and their doom.

De Lint’s first adult fantasy novel in 8 years weaves a rich tapestry of story with classic CdL elegance. Young Thomas Corn Eyes sees into the otherworld, but all he wants to do is get off the rez. Steve Cole escaped from his rock star life to disappear into the desert and mountains. Fifteen-year-old barrio kid Sadie Higgins has been discarded once too often. Blogger Leah Hardin needs to leave Newford, come to terms with the loss of her best friend, and actually engage with her life. When these lives collide in the Hierro Maderas Mountains, they must struggle to escape their messy pasts and find a way to carve a future for themselves. They don’t just have to learn how to survive. They have to learn how to fly.

Two lives. Two souls. One miracle.

Max Trader is a luthier, a maker of guitars. Johnny Devlin is chronically unemployed. Max is solitary, quiet, responsible. Johnny is a lady-killer, a drunk, a charming loser.

When they inexplicably wake up in each other’s bodies, Johnny gleefully moves into Max’s comfortable and stable existence, leaving Max to pick up the pieces of a life he had no part in breaking.

Penniless, friendless, homeless, Max begins a journey that will take him beyond the streets of the city to an otherworld of dreams and spirits, where he must confront both the unscrupulous Johnny Devlin and his own deepest fears.

Ever since Jilly Coppercorn and Geordie Riddell were introduced in de Lint’s first Newford story, “Timeskip,” back in 1989, their friends and readers alike have been waiting for them to realize that they belong together. Now, in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford’s Crowsea area, Jilly and Geordie’s story is finally being told. Before it’s over, we’ll find ourselves plunged into the rancorous and sometimes violent conflict between the magical North American “animal people” and the more newly arrived fairy folk. We’ll watch as Jilly is held captive in a sinister world based on her own worst memories—and Geordie, attempting to help, is sent someplace even worse. And we’ll be captivated by the power of love and determination to redeem ancient hatreds and heal old magics gone sour.

To walk “widdershins” is to walk counterclockwise or backwards around something. It’s a classic pathway into the fairy realm. It’s also the way people often back slowly into the relationships that matter, the real ones that make for a life. In Widdershins, Charles de Lint has delivered one of the most accessible and moving works of his career.