“Nobody in the world was more inadequate to act the heroine than I was.”
Why did Agatha Christie spend her career pretending that she was “just” an ordinary housewife, when clearly she wasn’t? Her life is fascinating for its mysteries and its passions and, as Lucy Worsley says, “She was thrillingly, scintillatingly modern.” She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness.
So why-despite all the evidence to the contrary-did Agatha present herself as a retiring Edwardian lady of leisure?
She was born in 1890 into a world that had its own rules about what women could and couldn’t do. Lucy Worsley’s biography is not just of a massively, internationally successful writer. It’s also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman.
With access to personal letters and papers that have rarely been seen, Lucy Worsley’s biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was-truly a woman who wrote the twentieth century.

Why did the flushing toilet take two centuries to catch on? Why did medieval people sleep sitting up? When were the two “dirty centuries?” Why did gas lighting cause Victorian ladies to faint? Why, for centuries, did rich people fear fruit?In her brilliantly and creatively researched book, Lucy Worsley takes us through the bedroom, bathroom, living room, and kitchen. She covers the history of each room and explores what people actually did in bed, in the bath, at the table, and at the stove-from sauce stirring to breastfeeding, teeth cleaning to masturbation, getting dressed to getting married-providing a compelling account of how the four rooms of the home have evolved from medieval times to today.

“Jane Austen at Home offers a fascinating look at Jane Austen’s world through the lens of the homes in which she lived and worked throughout her life. The result is a refreshingly unique perspective on Austen and her work and a beautifully nuanced exploration of gender, creativity, and domesticity.”–Amanda Foreman, bestselling author of Georgianna, Duchess of Devonshire

Take a trip back to Jane Austen’s world and the many places she lived as historian Lucy Worsley visits Austen’s childhood home, her schools, her holiday accommodations, the houses–both grand and small–of the relations upon whom she was dependent, and the home she shared with her mother and sister towards the end of her life. In places like Steventon Parsonage, Godmersham Park, Chawton House and a small rented house in Winchester, Worsley discovers a Jane Austen very different from the one who famously lived a ‘life without incident’.

Worsley examines the rooms, spaces and possessions which mattered to her, and the varying ways in which homes are used in her novels as both places of pleasure and as prisons. She shows readers a passionate Jane Austen who fought for her freedom, a woman who had at least five marriage prospects, but–in the end–a woman who refused to settle for anything less than Mr. Darcy.

Illustrated with two sections of color plates, Lucy Worsley’s Jane Austen at Home is a richly entertaining and illuminating new book about one of the world’s favorite novelists and one of the subjects she returned to over and over in her unforgettable novels: home.

“Narrator Lucy Paterson provides a charming portrayal of a mother, matron, minx, and monarch: Queen Victoria of England…Paterson’s tone is bright and cheerful, and she keeps the historical details lively.” — AudioFile Magazine

This program includes an introduction read by the author, as well as a bonus interview exclusive to the audiobook.

The story of the queen who defied convention and defined an era.

Perhaps one of the best known of the English monarchs, Queen Victoria forever shaped a chapter of English history, bequeathing her name to the Victorian age. In Queen Victoria, Lucy Worsley introduces this iconic woman in a new light. Going beyond an exploration of the Queen merely as a monarch, Worsley considers Victoria as a woman leading a truly extraordinary life in a unique time period. The book is structured around the various roles that Victoria inhabited– a daughter raised to wield power, a loving but tempestuous wife, a controlling mother, and a cunning widow–all while wearing the royal crown.

Far from a proto-feminist, Queen Victoria was socially conservative and never supported women’s rights. And yet, Victoria thwarted the strict rules of womanhood that defined the era to which she gave her name. She was passionate, selfish, and moody, boldly defying the will of politicians who sought to control her and emotionally controlling her family for decades. How did the woman who defined Victorian womanhood also manage to defy its conventions?

Drawing from the vast collection of Victoria’s correspondence and the rich documentation of her life, Worsley recreates twenty-four of the most important days in Victoria’s life including her parents’ wedding day, the day she met Albert, her own wedding day, the birth of her first child, a Windsor Christmas, the death of Prince Albert, and many more. Each day gives a glimpse into the identity of this powerful, difficult queen as a wife and widow, mother and matriarch, and above all, a woman of her time.

“Worsley gives us Victoria in all her infinite variety – queen and mother, matriach and minx. I loved it.” — Daisy Goodwin, author of The American Heiress, The Fortune Hunter and Victoria: A Novel

Murder: a dark, shameful deed, the last resort of the desperate or a vile tool of the greedy-and a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?
In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria’s lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. The Art of the English Murder is a unique exploration of the art of crime-and a riveting investigation into the English criminal soul.