A profound and moving journey into the heart of Christianity that explores the mysterious and often paradoxical lives and legacies of the Twelve Apostles—a book both for those of the faith and for others who seek to understand Christianity from the outside in.

“Expertly researched and fascinating… Bissell is a wonderfully sure guide to these mysterious men.… This is a serious book about the origins of Christianity that is also very funny. How often can you say that?” —The Independent 
 
Peter, Matthew, Thomas, John: Who were these men? What was their relationship to Jesus? Tom Bissell provides rich and surprising answers to these ancient, elusive questions. He examines not just who these men were (and weren’t), but also how their identities have taken shape over the course of two millennia.
 
Ultimately, Bissell finds that the story of the apostles is the story of early Christianity: its competing versions of Jesus’s ministry, its countless schisms, and its ultimate evolution from an obscure Jewish sect to the global faith we know today in all its forms and permutations. In his quest to understand the underpinnings of the world’s largest religion, Bissell embarks on a years-long pilgrimage to the supposed tombs of the Twelve Apostles. He travels from Jerusalem and Rome to Turkey, Greece, Spain, France, India, and Kyrgyzstan, vividly capturing the rich diversity of Christianity’s worldwide reach. Along the way, he engages with a host of characters—priests, paupers, a Vatican archaeologist, a Palestinian taxi driver, a Russian monk—posing sharp questions that range from the religious to the philosophical to the political.
 
Written with warmth, empathy, and rare acumen, Apostle is a brilliant synthesis of travel writing, biblical history, and a deep, lifelong relationship with Christianity. The result is an unusual, erudite, and at times hilarious book—a religious, intellectual, and personal adventure fit for believers, scholars, and wanderers alike.

From the best-selling coauthor of The Disaster Artist and “one of America’s best and most interesting writers” (Stephen King), a new collection of stories that range from laugh-out-loud funny to disturbingly dark—unflinching portraits of women and men struggling to bridge the gap between art and life

A young and ingratiating assistant to a movie star makes a blunder that puts his boss and a major studio at grave risk. A long-married couple hires an escort for a threesome in order to rejuvenate their relationship. An assistant at a prestigious literary journal reconnects with a middle school frenemy and finds that his carefully constructed world of refinement cannot protect him from his past. A Bush administration lawyer wakes up on an abandoned airplane, trapped in a nightmare of his own making.
 
In these and other stories, Tom Bissell vividly renders the complex worlds of characters on the brink of artistic and personal crises—writers, video-game developers, actors, and other creative types who see things slightly differently from the rest of us. With its surreal, poignant, and sometimes squirm-inducing stories, Creative Types is a brilliant new offering from one the most versatile and talented writers working in America today.

Tom Bissell is a prizewinning writer who published three widely acclaimed books before the age of thirty-four. He is also an obsessive gamer who has spent untold hours in front of his various video game consoles, playing titles such as Far Cry 2, Left 4 Dead, BioShock, and Oblivion for, literally, days. If you are reading this flap copy, the same thing can probably be said of you, or of someone you know.
 
Until recently, Bissell was somewhat reluctant to admit to his passion for games. In this, he is not alone. Millions of adults spend hours every week playing video games, and the industry itself now reliably outearns Hollywood. But the wider culture seems to regard video games as, at best, well designed if mindless entertainment.
 
Extra Lives is an impassioned defense of this assailed and misunderstood art form. Bissell argues that we are in a golden age of gaming—but he also believes games could be even better. He offers a fascinating and often hilarious critique of the ways video games dazzle and, just as often, frustrate. Along the way, we get firsthand portraits of some of the best minds (Jonathan Blow, Clint Hocking, Cliff Bleszinski, Peter Molyneux) at work in video game design today, as well as a shattering and deeply moving final chapter that describes, in searing detail, Bissell’s descent into the world of Grand Theft Auto IV, a game whose themes mirror his own increasingly self-destructive compulsions.
 
Blending memoir, criticism, and first-rate reportage, Extra Lives is like no other book on the subject ever published. Whether you love video games, loathe video games, or are merely curious about why they are becoming the dominant popular art form of our time, Extra Lives is required reading.

Award-winning essayist Tom Bissell explores the highs and lows of the creative process. He takes us from the set of The Big Bang Theory to the first novel of Ernest Hemingway to the final work of David Foster Wallace; from the films of Werner Herzog to the film of Tommy Wiseau to the editorial meeting in which Paula Fox’s work was relaunched into the world. Originally published in magazines such as The Believer, The New Yorker, and Harper’s, these essays represent ten years of Bissell’s best writing on every aspect of creation—be it Iraq War documentaries or video-game character voices—and will provoke as much thought as they do laughter.

What are sitcoms for exactly? Can art be both bad and genius? Why do some books survive and others vanish? Bissell’s exploration of these questions make for gripping, unforgettable listen.

In his fourth book, journalist and fiction writer Bissell (Chasing the Sea) revisits the much-trodden territory of the Vietnam War to offer a fresh perspective: that of the adult children of the war’s veterans. On assignment for GQ magazine, Bissell and his ex-Marine father, John, retrace the elder Bissell’s tour of duty through a now mostly peaceful and prosperous Vietnam. The first of the book’s three sections narrates the historical leadup to Saigon’s fall in 1975, spliced with Bissell’s imagined vision of his family on the night Saigon fell (his parents’ marriage was rapidly collapsing due to John’s postwar trauma and alcoholism). Next comes an exhaustively researched history of the war – including a harrowing retelling of the My Lai massacre, during which civilians were brutally murdered by crazed American soldiers-within the narrative of the father-son trip, aided by Truong and Hien, their entertaining and illuminating Vietnamese tour guides. As Bissell repeatedly presses his father to confess regrets about Vietnam, the two push toward an ambivalent sense of closure on national and personal wounds. A final, less effective, section gathers testimonials from American and Vietnamese veterans’ children. This humorous memoir, travelogue and accessible history – the author’s most ambitious book – confirms Bissell’s status as a rising star of American literature.